An analysis of an event that changed my life

Tribute to Lucille Clifton The idea of choosing a single poem as one that has informed my poetry is both fascinating and absurd. I have never been asked to discuss one transformative poem before. The question traditionally has been "What writer, or writers, influenced you?

An analysis of an event that changed my life

Tribute to Lucille Clifton The idea of choosing a single poem as one that has informed my poetry is both fascinating and absurd. I have never been asked to discuss one transformative poem before.

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The question traditionally has been "What writer, or writers, influenced you? If I try to do that with the writers I mentioned, there is a very quick flowing away. I might have said Roethke if the question were otherwise. I know fairly extensive bits and pieces of Auden, but, except maybe for "In Praise of Limestone," I cannot credit one poem in particular.

If it were D. Crane has two almost distinct approaches to the poem, two methodologies or even styles. One is through the use of symbol and metaphor, in which he abandoned conventional logic, yet there is a fierce, driven rhetoric and a kind of faux teleology that implies both narrative and biography.

Such poems are often rhymed and moved forward by an extensive use of conjunctions and clauses—modifications—as if the stories—whatever they are—are urgent.

I have read these poems for years, over and over, as if the words were musical notes and the "message" was purely emotional and could not be told in words, even if words were the very medium.

This is the mode Crane is known for, and it is the mode of the poems he sent to the confused and anxious founder of Poetry, Harriet Monroe, which he explained in his letter to her, written in In the second mode—we are talking two—Crane broke his own rules and used conventional logic, as he described it, to write either tender, short, often nostalgic poems or the long, disciplined narratives that are so present in The Bridge, his epic.

He continued using the two styles in his very late poems and "Eternity," which appeared in orthe poem that has so moved me all these years, partly combines the two modes, though it is truer to the conventional, the logical, than it is to the irrationalist position he so championed.

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The language of "Eternity," the state of mind of the poet who wrote it, was—at the time of writing certainly— somewhat gay, peaceful, and determined; it takes place on the day after chaos a severe hurricane, in this case.

The sky is streaked with color, and the sleeves rolled up. The town had been torn to pieces by the storm, everything is dislocated, but the voice of the poem is logical, if a bit ironic and goalridden. It is not a poem of gloom or doom or despair. It is mythical but not introspective; it is expressionistic but clear.

If the reader looks carefully at the poem, she sees a narrative, a progression, and familiar social and political behavior.

It’s obvious an event that changes my life is “love”. I wouldn’t imagine myself falling in love to a person I see as my enemy in the society, which I didn’t regard the person as human being in terms of characters and personality in things of life. In my case it wasn’t necessarily an experience, it was a dog that changed my perception on life. My mind and heart was opened in a whole new way. I never thought I could love an animal just as much as I loved the people in my life. The important event that changed my life is coming to the United States to study. When I first arrived in this country, I realized that a tremendous transformation would happen in my life both physically and mentally.

Nor does it—gratefully—depend on any of the given religions. It happens in broad daylight. Furthermore, at the very heart of the poem, the mysterious white horse appears, something almost out of the Apocalypse. Its sudden appearance, in the midst of the wreckage and the altered atmosphere, if it is visionary and abrupt, has nothing of the conventional supernatural about it.

An analysis of an event that changed my life

I should point out that the white horse—is his name Eternity? A mule also appears, stumbling and dying.

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In real life, whatever that is, Crane, according to Mariani, tried to force the mule into service with a stick but reversed it in the poem. As to form, the poem is in a relaxed iamb and uneven stanzas, with some respect for end rhyme.

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Some, when they talk about Crane, emphasize his drinking, his chaotic life, his self-doubt, and the dangers of his sexual life, but he was able to manage these things, even though he died at 32, and create a poetry that was tender, attentive, wise, and radically original.

These things I am, of course, not claiming for myself. I am praising what I like in Crane, and I am finding what is—for me—something of a connection. If I do not, in the main, write as he did, I am deeply attracted to two things: Both poems play with the idea of a rational, civilized soul confronting something non-rational and powerful.

I certainly selected them because of their relationship with the dynamics of "Eternity. Here is the way it starts: These tiny Mexican mosquitoes are like lost souls looking for blood among the white visitors in their own land.

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They come to lead us through some four or five old trees. They stoop to bite our hands, they make that wailing sound I live in terror of, they sing in our ears, they walk between the seams, they reach for the drink they love, they bend half over drinking, they walk along the sand and through the flowers, they look for work, they are looking for work, they pound on the windows of our casita shouting trabajo, trabajo, casting mournful eyes on the sea wrack, touching the broken sewer line and pointing at the broken steps.Feb 18,  · 1.

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However, the last two years were the worst. The important event that changed my life is coming to the United States to study. When I first arrived in this country, I realized that a tremendous transformation would .

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An analysis of an event that changed my life

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Most of the time, in high school, I was content with just a “C”. The only time I wasn’t, was if it was a class I liked, and I paid attention to.

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